Thursday, February 22, 2018

Iconic Black Designers: Elizabeth Keckly

Happy Black History Month!!! This is our favorite time of the year to blog, a time that we dedicate to researching and writing about iconic Black Americans. This year we are sharing with you Black designers. As designers ourselves, we are always looking to the past for inspiration and this was the perfect time to do some digging to find people who inspire us with our own craft. We hope you enjoy this series and learn something new this month.



Elizabeth Keckly (1818-1907)


When I came across the story of Elizabeth Keckly, it was so good that I had to share it with you. I hope you feel inspired and learn something new after reading this.

Elizabeth Keckly was born a slave in 1818 in Virginia, like many if not all slaves she endured a very hard upbringing. She started caring for her master's children at just age 4. Imagine that.  She was blessed to have a network of supporters, the talent of dressmaking and determination, this led to her to being able to buy her freedom for $1200.  With her newfound freedom she moved to Washington, D.C. to start her own dressmaking business, during this time she connected with first lady Mary Todd Lincoln.

In 1861, the first lady hired Elizabeth as her personal modiste. She took on the role as dressmaker, personal dresser and confidante, the two women became very close, forming a friendship. 

 1868, Keckly published an autobiography,  Behind the Scenes: Or, Thirty Years a Slave and Four Years in the White House. I was so excited to find that it is available at the library, I placed it on hold and can't wait to read it. The autobiography is a slave narrative and a portrait of the first family.



There are not many designs that still exist of hers, and even the ones that do exist are hard to connect with Elizabeth. During this time period there were no tags or labels in garments, and because fabric was so expensive, it was very common for dresses to be taken apart and reconstructed to make new dresses. The Smithsonian’s National Museum of American History has a few dresses that belonged to Mary Lincoln, which were most likely made by Elizabeth.



Keckly's design aesthetic was very simple and sophisticated, which did not compare to many dresses in the Victorian Era. Her designs were very clean and did not have a lot of lace or ribbon. This was another way designs could be connected to Keckly, she had a very unique design style for that era.



Elizabeth was very business savvy, she was able to make friends with the right people who would support her, this says a lot about her personality, especially from growing up in such adverse living conditions.

In the African-American community, Elizabeth was seen as a socialite because of her beauty, and for being elegant, upright and appropriate.

I could go on about her life story, but I will end it with this. Working as a dressmaker was the highest paid position for a woman during that time, Keckly's dresses were expensive and the envy of women in Washington. So just imagine the amount of money she was making, I would consider her one of the first successful African American designers. She has truly paved the way for those of us that have careers in the fashion industry.








Thank you Miss Keckly! We honor you for all that you have done to pave the way for current designers. 

Be Blessed! Be Free! Be Fashionable!

~Chris

Wednesday, February 7, 2018

Iconic Black Designers: Art Smith

Happy Black History Month!!! This is our favorite time of the year to blog, a time that we dedicate to researching and writing about iconic Black Americans. This year we are sharing with you Black designers. As designers ourselves, we are always looking to the past for inspiration and this was the perfect time to do some digging to find people who inspire us with our own craft. We hope you enjoy this series and learn something new this month.


Art Smith (1917-1982)


Photo Credit


Art Smith was one of the leading modernist jewelers of the mid-twentieth century, and one of the only Afro-Caribbean people working in his field. Smith was born in Cuba to Jamaican parents and grew up in Brooklyn, New York. He studied sculpture at Cooper Union and trained under Winifred Mason.

"A piece of jewelry is in a sense an object that is not complete in itself. Jewelry is a ‘what is it?’ until you relate it to the body. The body is a component in design just as air and space are. Like line, form, and color, the body is a material to work with. It is one of the basic inspirations in creating form." ~Art Smith


Photo Credit

Smith's work was inspired by surrealism, biomorphicism, and primitivism , the pieces were dynamic in size and form. Although the pieces were massive in scale, they remained lightweight and wearable.  Smith designed cuff links for  Duke Ellington and a brooch for Eleanor Roosevelt.  During the 1950's, his work was featured in Vogue and Harper's Bazaar.  You could find him with the likes of Lena Horne, Harry Belafonte, and  James Baldwin. He also owned his own shop in Greenwich Village for 30 years.

Photo Credit

Until 2009, the Brooklyn Museum had an exhibition called From the Village to Vogue, where 21 pieces of the modernist jewelry was on display. All of the pieces were sterling silver and because of their grand size, they could hang on a wall just as easily as they could be worn. 


Photo Credit

Photo Credit

Smith passed away in 1982 and his estate went to his sister, and then later was passed to his partner, Charles Russel, who donated it to the Brooklyn Museum. I'm so sad that I missed the exhibit at the Brooklyn Museum by a few years, but there is so much information on the web and images of his jewelry. Hopefully, I can catch an exhibit soon. In the meanwhile, if you want to learn more about Art Smith you can check out an article here.

Thank you Mr. Smith for your crafstmanship to the field of jewelry design. Your work is truly an inspiration and your legacy continues to live on.

Be Blessed! Be Free! Be Fashionable!
 ~Chris